- #Emu proteus x2 instrument definitions full
- #Emu proteus x2 instrument definitions software
- #Emu proteus x2 instrument definitions series
Better still, you can import your own samples to give them that diamond retro treatment, or dive deeper into its sampling architecture with enhanced editing tools.Īnd if you want the samples in your mix to bring a vibe of their own, what better way than to use a sampler straight from the old school? Instrument first, sampler second. When you heard glossy pianos, lush string pads, and one-hit FX stabs, there was often an Emulator II involved.
#Emu proteus x2 instrument definitions full
The result was a higher-fidelity sound that remained warm and full of character - a true project of passion.
#Emu proteus x2 instrument definitions series
Drawing more inspiration from the response of acoustic instruments than his experience with electronic ones, the Emulator series was born, and inthe upgraded Emulator II hit the market - and it made waves. Dave and his E-mu partner Scott Wedge saw an opportunity to bring sampling to a wider audience. His pioneering work combining analog richness and digital precision in modular systems made the synth world sit up and listen, and the company went on to collaborate with the likes of Sequential and Oberheim.Īt the time, the sampler concept was an up-and-comer trendy technology reserved for elite hitmaker producers and A-list artists. At the helm of E-mu systems was the legendary Dave Rossum.Ī California native, Rossum is now a veteran of the industry, and considered among the most influential figures in electronic instrument design. Upon release, the Emulator II was met with critical acclaim, combining the novel versatility of sampling with the familiar layout of a classic synthesizer. The Emulator series was the work of E-mu Systems in the s. A unique character that helped define the sound of a decade and beyond. Methlab 16th AprilIts unique combination of high-fidelity 8-bit sound, warm analog filter, and instantly-recognisable sample library is sure to spark instant creativity, just as the original once did. E-mu Emulatorīy using this site, you agree to our use of cookies. Alesis Fusion hast it too if you have access to it. My Emulator 2 died about 3 months ago and I'm still trying to fix it! Attached Files shakuhachi. I think that sample is in the Zero G Nostalgia library. Or tips as to where to find a sample library? My Studio. Help needed! Hi people I urgently need samples of the shakuhachi sound from the EMU emulator, to try and recreate the peter Gabriel 'sledgehammer' vibe for a project anyone out there with anything? If you see it again it's because something has changed so please set your preferences accordingly. You may notice that the 'cookie consent' form pops up more often than usual lately - we are tweaking it behind-the-scenes to make sure it's working comprehensively. EMU Emulator samples anyone? When you buy products through links across our site, we may earn an affiliate commission. Today's Posts competitions support us FAQ advertise our advertisers newsletter. It made use of a brand new chip, an elegant single-space rack-mountable enclosure, and a tidy collection of high-quality 16-bit sampled sounds yanked from the not-inconsiderable library the company had developed for its costly samplers.Remember Me? The No. Designed as a stop-gap product after EIII sampler sales had proven less than stellar, the Proteus was brilliantly simple, and utterly prescient. Desktop composers didn’t need an instrument with a built-in sequencer, they needed sounds.įor those musicians, E-MU’s Proteus must have been like manna from heaven.
#Emu proteus x2 instrument definitions software
Software MIDI sequencers provided the ability to drive 16 or more channels of MIDI data. By the end of the '80s, many electronic musicians had gleaned that the personal computer represented the future, offering unparalleled flexibility and power to those who could afford one. The trouble is, these instruments carried with them some overlap with the other hot product of the day: the software sequencer. With such a machine, it was possible to create complete - if simplified - productions entirely at home. The keyboard workstation was indeed a terrific instrument to own.